Aspects of Modality in Renaissance Polyphony
Diatonic and Tonal Functions
in the Polyphonic Virelai of the 14th Century
Cadential and Modal Treatment in Palestrina’s
Delle Madrigali Spirituali a Cinque Voci Libro Secondo (1594)
and Lasso’s Lagrime di San Pietro (1595)
Is Modality still a Compositional
Tool in Monteverdi’s 1610 Mass?