THE GUINEA PIG SCIENTIST: ETHICS OF SELF-EXPERIMENTATION IN LITERATURE

Autores/as

  • Université du Québec à Montréal

DOI:

https://doi.org/10.54695/jibes.354.0103

Palabras clave:

contemporary fiction; artificial language; artificial emotions, institutions and forms of governmentality

Resumen

The aim of this article is to see whether the different representations of scientific self-experimentation in literature allow for broader ethical and epistemological reflection on this issue. The foundations of ethical reflection on self-experimentation, and the various arguments for and against it, will be presented, since this is a case of ambiguous bioethics that is far from unanimous. Three literary examples, Altered States (1978) by Paddy Chayefsky, Blood Music (1985) by Greg Bear and “Exhalation” (2008) by Ted Chiang, will then be analyzed from a comparative and epistemocritical perspective. The focus will be on the reasons that motivate the fictional scientists to choose self-experimentation, the experiment itself, its consequences for the researcher’s body and mind, and the world around him.

Biografía del autor/a

, Université du Québec à Montréal

Professeure associée

Publicado

2025-07-12

Cómo citar

Elaine. (2025). THE GUINEA PIG SCIENTIST: ETHICS OF SELF-EXPERIMENTATION IN LITERATURE. Journal International De bioéthique Et d’éthique Des Sciences, 35(4), 103 - 122. https://doi.org/10.54695/jibes.354.0103