‘Presque Rien’, from the anecdotic to the surrealistic

Abstract

Making use of the theoretical model built by the author in “Vers une narratologie
‘naturelle’ de la musique” on the basis of Monika Fludernik’s works, as well as
previous researches, interviews with Luc Ferrari and some personal insights, the
paper proposes to bring to the fore the plurality of narrative forms and narrativities
in the Presque Rien cycle, supporting an evolution from the anecdotic to the
surrealistic.